Remote Viewing Research on the Great Pyramid of Giza
Conducted by the Farsight Institute in 2012
The Great Pyramid of Giza is an enigma carved in stone, towering in defiance of time. Legends abound, and over centuries, these stories have coalesced into what we casually call “history.” Yet beneath the veneer of certainty lies an uncomfortable truth: much of what we “know” about the Great Pyramid is speculative at best.
Archaeologists piece together fragments of evidence, connecting dots like celestial constellations. The problem is, the constellations shift depending on which dots you choose. One scholar’s Orion is another’s Big Dipper—different myths spun from the same sparse data.
But what if we could see what actually happened through direct observation, however unconventional? This is where Courtney Brown and the Farsight Institute come in. They believe they have done precisely that, leveraging remote viewing—a method rooted in techniques once employed by U.S. military intelligence—to peer into both the past and the future.
According to Brown, the construction of the Great Pyramid was a confluence of technological mastery, augmented by forces we might label “otherworldly.”1 Advanced energy technologies, according to remote viewing research conducted by the Farsight Institute, allowed workers to float massive stone blocks into place—an 18-inch hover above the ground. Quarrying these stones, it is suggested, involved tools so advanced they melted rock surfaces to smooth perfection, leaving a signature far beyond the capabilities of bronze chisels.
The narrative takes an even stranger turn with the claim that some of the laborers were genetically engineered to endure the grueling conditions of their work. Layered atop this human effort, Brown posits extraterrestrial involvement—entities operating behind the scenes, either in collaboration with or manipulation of human elites. These beings, it is suggested, envisioned the Great Pyramid as part of a larger planetary energy grid for the purposes of communication of some sort.
After the pyramid’s completion, Courtney believes, a second group of extraterrestrials allegedly arrived, introducing new ideas that disrupted the societal order. Their influence catalyzed an exodus, fracturing the civilization that had built this wonder.
Now, I know what you’re thinking—genetically engineered workers? Floating stones? Extraterrestrials? It sounds like the fever dream of a sci-fi enthusiast. But Brown insists this research incorporates what he believes to be rigorous protocols, with remote viewers working blind to ensure their observations remain uncontaminated by preconceptions. Their data, Brown argues, align with the physical evidence we can see today.
Brown points out that paradigm shifts are rarely comfortable. Remember the skeptics who scoffed at the Wright brothers even as their planes soared overhead? New frontiers often demand a willingness to question the very foundations of what we think we know.
The Enduring Mystery of the Great Pyramid
If the conventional narrative holds, the pyramid was built over the span of 20 years. That means that every single day, 800 tons of stone would need to be quarried, transported, and meticulously set into place. To put that into perspective, that’s 12 blocks an hour, around the clock, for two decades. All of this with “rudimentary” technology, which, as the story goes, included chisels, wooden sledges (or water channels), and a lot of elbow grease.
The gaps between the blocks are precise—just 0.5 millimeters. The pyramid’s base is astonishingly flat, deviating less than half an inch across its entire footprint, and the four sides are aligned almost perfectly with the cardinal points of the compass. Not magnetic north, mind you, but true north, the one aligned with the stars. How did they manage that?
If you divide the perimeter of the base by the height of the pyramid, you get 2π, the mathematical constant tied to circles—a concept that, by most historical accounts, wasn’t even known at the time. Were they just lucky? Or could it be that they understood something we don’t?
Limestone and granite, quarried miles away, were somehow cut, transported, and shaped into massive blocks. Granite, in particular, poses a mystery. The commonly proposed technique—using wooden wedges soaked in water to crack the stone—might work for smaller pieces. But how do you split and shape an 80-ton granite block with such surgical precision that it fits seamlessly into the pyramid’s design? No one seems to know.
Then there’s the million-dollar question: why? Why build such an extraordinary structure in the first place? The textbook answer is that it served as a burial chamber, but there’s not enough evidence to back that up. No mummies have been found inside, and the pyramid’s design doesn’t resemble other tombs from the period.
The Remote Viewing Research Begins
In 2012, Courtney Brown of the Farsight Institute set out to answer one of history's most enduring riddles: how was the Great Pyramid of Giza built, and, more intriguingly, why? Some consider the Great Pyramid to be the Mount Everest of mysteries. These massive stones, some weighing upwards of 80 tons, weren’t just dragged into place by a few plucky ancient Egyptians with sledges and rope, no matter how many documentaries insist otherwise. There had to be something deeper—a purpose profound enough to justify the effort of creating a structure that still baffles engineers today.
To tackle this, Brown enlisted two of the top remote viewers on the planet: Dick Allgire and Daz Smith. Both are seasoned professionals, trained in methodologies honed by U.S. military intelligence. Dick, trained in the HRVG method, and Daz, a master of Controlled Remote Viewing (CRV), brought to the table decades of expertise.
The project was conducted under strict conditions. The viewers were kept completely blind to the target—no hints, no leading questions, nothing to contaminate the data. Each session was done solo, ensuring that no one’s presence could subconsciously influence the results. The data collection culminated in something remarkable. Video recordings of live sessions capture the process in action.
Advanced Mining Technology
Dick Allgire’s Remote Viewing Session
Let’s begin with the stones. Allgire’s data describes a process that seems to defy the limits of ancient technology: rocks crushed, cut, and pulverized with tremendous force, leaving behind sharp cliffs and evidence of immense energy.
And then there are the people. Allgire’s visions offer no rosy tableau of industrious builders striving toward a common goal. Instead, they reveal a grim hierarchy: enslaved workers toiling under the watchful gaze of an elite class, who seem less like architects and more like detached priests presiding over a ritual. The imagery grows darker still as his impressions shift to a place of confinement, where human lives are reduced to mere commodities. Cages crowd the periphery, a detail that raises questions about what ancient society valued—and at what cost.
Allgire’s data highlighted a luminous energy radiating from the pyramid, something of “dazzling beauty.” But then, the scene turned dark: “There is also some sense of human sacrifice and even cannibalism associated with the target activities. The viewer perceives some sort of high priest who conducts a sacrificial ceremony that reminds the viewer of a satanic ritual. The viewer also perceives and draws a subject who does not look human, a subject that he deems demonic and terrifying.”
Notice how Allgire describes the mining activity that was used to obtain the largest rocks used to construct the Great Pyramid of Giza:
“It's like focused beams, but it's not in the visual. You wouldn't see it physically, but I can see it remote viewing it. I can sense the energy coming in, and . . . I don't get a . . . Is there a sound to it? It's a very high frequency. It's harmonic. Energy converges . . . .”
Is Allgire intuiting the use of an advanced frequency technology (perhaps incorporating, as Dan Winter has suggested elsewhere, longitudinal waves)?
“Integers, multiples of component frequency that rings like a bell . . . intensely focused beams all converge and cause a reaction right here that radiates outward. I can't draw it right. . . . radiates outward, it's a compression; . . . it comes in, converges, it becomes almost like a black hole and then radiates outward. And it's like when you watch a nuclear test from up above in the Nevada desert and they, they show you can see the land and the land kind of, it kind of burps, interrupts and bubbles up second and then it, it, it, collapses down into itself and then radiates out.
“So it's this energy comes, it reacts, it comes up, then it collapses down and then it initiates a reaction and it keeps radiating out. So here's the initial reaction after these beams of energy that are not visible, but they're frequency waves, not sound waves. There's something very compact and compressed. It happens and it affects the land. And then
“I just keep coming back to the Nevada test site where the land, you can just see that instant of a detonation underground, something, and it's not a, I don't think it's a nuclear detonation. It's way cleaner than that and different. It just, the land reacts . . . .
“It comes up ever so slightly, buckles, caves in like a fast-acting sinkhole. So the land kind of sinks and deflates. And as it deflates, it sets off other reactions where the land, the rock, cracks. And there's secondary fissures. And this happens. And this is just all within a very brief time span. I'm breaking this down. And then later Oh!
“I feel a shock wave, and I'm over here, like let's, um, 10 kilometers away. Birds can sense this. Animals like, um, I see a flock of birds they're they're startled and it's not something they hear or feel, but it's they they sense it, and birds take flight and try to escape it. Animals would, like, look up and be uneasy. So these effects, and this is, miles and miles, kilometers away, off in the distance, I just see a flock of birds.”
So, as you can probably tell from the above transcript, Allgire’s remote viewing research differs immensely from the Western academic narrative of the Great Pyramid. Now, Let’s take a look at Daz Sith’s data.
Daz Smith’s Remote Viewing Session
In the first session, Smith’s impressions are alive with movement: a bustling workforce shaping enormous, multi-sided stone structures. His early sketches reveal the sloping sides of what becomes unmistakably a pyramid, hinting at the precision and grandeur of its design. But beyond the physical labor, a deeper current of purpose flows. Smith’s descriptions evoke echoes of sacred stories—parallels to the burning bush and the Ten Commandments.
Among the workforce, Smith detects the presence of individuals with advanced telepathic abilities. These beings seem to act as conduits, connecting the mundane processes of construction to something else entirely. Imagine a scene in which raw human effort meets nonlocal communication, a fusion of muscle and mind.
In Smith’s second session, the pyramid takes full form in his perception. He notes not only the shape of the structure but also key details: a single door at its base leading downward. This aligns with the known passageways that descend into the pyramid’s subterranean chambers, cut deep into the bedrock. Such precise observations remind us why remote viewers of this caliber are held in such high regard.
Smith’s describes a great number of humanoid figures engaged in the work, but surprisingly, there’s no sense of oppression or resentment among them, at least not at this stage. Some labor in deep pits amid fire and searing heat, a grueling environment reminiscent of forging, transformation, and creation. His descriptions even evoke the feel of the Karnak temple complex.
For the fourth target, again addressing the mining and construction of the pyramid, Smith perceives a moment frozen in time: the Great Pyramid of Giza, still incomplete, its flat top sketched repeatedly. Energy emanates from the structure, palpable and purposeful. Smith describes this energy as linked to spiritual activity, perhaps even communication with higher beings. There’s an almost declarative quality to the structure itself, as if it were a beacon broadcasting a simple but profound message: This is who we are. Look at us. Know us.
This vision of the pyramid as both monument and message gains depth when Smith describes the environment. Harsh desert landscapes stretch outward, while hieroglyphic writing emerges in his impressions. Pilgrims from vast distances gather at the site, drawn by something beyond the physical. There’s a reverence, a sense of the sacred permeating the activity, as though the pyramid were not just a construction project but a cosmic ritual.
Is this Research Valid?
First, this article only briefly touches upon the actual remote viewing data produced by Allgire and Smith. As such, I highly recommend watching the entire video above in order to get the full picture, if this research interests you.
Secondly, as to whether or not this research is accurate, I cannot say with any authority. But I think it’s appropriate to share a few points:
Dick Allgire and Daz Smith are considered to be two of the best remote viewers in the world. It doesn’t mean that they have perfect records in terms of accuracy, which neither of them claims to have. Their data is not always accurate, but it often is.
The fact that Allgire and Smith both blindly tapped into obviously similar scenes suggests that they were actually seeing the same thing. Does that mean, therefore, that their data is historically accurate? Maybe, maybe not. I’ve heard some folks theorize that sometimes the reason multiple blind remote viewers appear to describe the same scene is not because they’re tapping into an historical event but because they’re accessing the perceptions (both conscious and unconscious) of the person who created the target. Another variation of this theory has the remote viewers accessing myths and legends in the collective unconscious. The fact remains that remote viewing has a track record of being accurate at least some of the time.
In my opinion, there is enough scientific evidence to state that nonlocal perception is a real thing. It shows up in space as clairvoyance and in time as precognition. The scientific literature now features many studies demonstrating anomalous nonlocal cognition. And even if some of them can be dismissed for any number of reasons, they can’t all be dismissed.
The CIA invested a great deal of money into the development of remote viewing over the course of at least two decades. And while they claim to have stopped funding this activity because it didn’t work, I wouldn’t recommend taking the CIA at their word, neither in this case nor in general.
Virtually every remote viewing project conducted by the Farsight Institute that involved an ancient archeological site has featured the presence of otherworldly beings using human beings as slave labor. Every single one, including Stonehenge and Göbekli Tepe. Is this simply due to Courtney Brown’s unconscious perceptions or the Collective Unconscious? Or is it what actually happened, or possibly some combination of all the above?
You get to decide for yourself. Personally, I tend to assume that there’s something to it.
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YouTube: The Great Pyramid of Giza: The Mystery Solved (Complete Version). Farsight Institute.